It is the story of a man into an eternal exodus; scenes that takes the displacement, migration, as the process of discovering and questioning our individuality and foreignness, into a contemporary context.

It is a piece about the awakening of a man in between ropes, in a piece of wood, all floating in the middle of the sea. The character is lonely and helpless, drifting in uncertainty. It is an attempt to trigger a sense of wonder, imagination and mystery of our own existence.

Una obra para una alambrista y une “jupon”, pieza poética en busca de respuestas. Un búsqueda que se hace más llevadero bailando.

Upcoming soon…

  • Thu
    18
    Oct
    2018

    MAR MONSTRUM

    Centro Cultural Acatlán, México
  • Tue
    16
    Oct
    2018

    MUNDO LUNATICUS

    Centro Cultural Acatlán, México
  • Fri
    10
    Aug
    2018

    BÉE - Vendredis de l'Été

    Embrun (05), France
  • Sun
    08
    Jul
    2018

    BÉE RUE(Z) VOUS

    19:00Valbonne (06), France
  • Fri
    06
    Jul
    2018
    Sat
    07
    Jul
    2018

    BÉE - Les Zaccros d'ma Rue

    Nevers (58), France
  • Sat
    23
    Jun
    2018

    BÉE - Rencontres Théàtrales du Val d'amour

    15:00Val d'amour (39) France
  • Sun
    17
    Jun
    2018
    Mon
    18
    Jun
    2018

    BÉE - Rues et Cies.

    15:00 / 19:00Epinal (88), France
  • Fri
    15
    Jun
    2018

    BÉE 20 ans de La Bobine

    19:30Grenoble (38), France
  • Sat
    02
    Jun
    2018

    BÉE Rendez-vous au jardin

    15:00Chambéry (73), France
  • Fri
    01
    Jun
    2018

    BÉE ( Premiere 2018 )

    18:00LAB'ART, Fort de Bruissin, Francheville (69) France

NARANJAZUL Theatre was born in 2014, the company has been part of international festivals as: Festival Santiago Off 2016, Chile; Herisson en Fête -Footsbarn Festival France 2016; National Encounter of Scenic Arts, Mexico 2015; Quadrennial of Prague PQ-2015, Czech Republic, ASCONA Theatre Festival, Switzerland, International Clown Festival, México 2014.

NARANJAZUL focus its research in the balance between the energy of the performing arts, the visual aspect and the poetry of the body expression. Its scenic language grows from various movement techniques; its aesthetic is sometimes minimalist or abstract; the company considers objects as dynamic scenography, sound and lights as elements of dramaturgy.

For NARANJAZUL, theater should offer an aesthetic experience, a theatrical art through a poetic and pleasant language. The company finds in the humorous and absurd situations, the inspiration to make known what is crucial to our existence, showing fragments of reality where human behavior is questioned.